1. Motive as a basic melodic unit 2. Motive variations 3. Playing with more than one motive 4. More about two motive writing 5. Melody composition 6. Melody composition, part two

1. A short note about jazz chord progressions 2. Chord progressions in early jazz I 3. Chord progressions in early jazz II 4. Chord progressions in early jazz III 5. Early chord development - added notes 6. The II-V-I progression, part I 7. The II-V-I progression, part II 8. Tonal progressions of fifths 9. Chord substitutions on turnovers 10. Chord substitutions - summary

1. The Ancient Greece 2. The Early Christianity 3. Gregorian Chant 3a. The Church Modes 4. Early Polyphony 5. Late Medieval Ages 6. Medieval Music in England 7. Medieval Music in Burgundy 8. Renaissance Music - overview 9. Renaissance - J. Ockeghem 10. Renaissance - J. Obrecht 11. Renaissance - J. des Prez 12. The Late Renaissance 13. Introduction to Baroque music 14. The new fundamentals of music 15. Baroque and the birth of nationalistic music 16. The Fugue 17. The first opera 18. Opera - part two 19. Baroque sacred music - the Oratorio 20.The Cantata - sacred music of the Lutheran Church 21. Passacaglia and Chaconne 22. Ritornello in concerto forms 23. Introduction to the classical era (1750-1820) 24. Characteristics of the classical era music - cadences.